Category: Uncategorized
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Streetcars do dream-work (new release)
Since I have re-loacated to Vienna in September last year, I used to travel a lot across the town on trams listening to the sounds they produce as they make their ways through the city and the sounds the passengers produce on the trams or their various silences. This is often a weird experience of…
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Upcoming performances of
Sinusoidal Sinusoidal is a minimalist long-form piece based on pure tones, which are enriched then using feedback, filters and spacialization. This piece was designed for live performance on a laptop, which does not have to have a very powerfull processor, because the sine wave generator and the filters do not need an extraordinary amount of…
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New book out now!
My new book [in German] about music aesthetics and the intermediality of music, language and literature is out now as paperback and e-book (pdf-format). It is available form the publisher here: Preview on Google Books: The cover illustration is my graphic score for Amethyst Diffuser (2020).
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A Winter’s Tale
New mix on Mixcloud I’ve done a new mix on Mixcloud with music by the great Nicola Woodham, Christi Denton and Anji Cheung, two tracks from the ongoing Disquiet Junto project by Garde Noisemaker and Noodle Twister together with some tracks and field recordings by myself.
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Album release: Drones for Weekdays
‘Drones for Weekdays’ is released today on Bandcamp and Soundcloud.
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In Times of Crisis (End of 2020 Mix)
The title of my end of the year mix of tracks from releases I purchased on Bandcamp in 2020 and one track off of one of my own releases is borrowed from one of the most beautiful releases on Longform Editions in this year, Carmen Villain’s otherworldly Affection in a Time of Crisis. Although all…
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Verbal score for my drone piece “Ad nihilum”
Try to do nothing Try to not do Try to do not much Try to not play Try to listen only Try to keep listening only Try to not play with the faders Try to leave the sound alone Try to leave the sound alone and listen Try to leave the sound alone to evolve…
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I can’t title this (or the art of titling)
It’s not a secret to those who know me and my music a little bit that I have an ongoing obsession with and deep appreciation for the music of the late Danielle Baquet-Long of Chubby Wolf and Celer. Some even know that Chubby Wolf’s record Ornitheology has been kind of an awakening experience for me,…
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How to use a poem as a score
My composition “Page 220” has been made for the collaborative music project Disquiet Junto. Each Thursday in the Disquiet Junto group, a new compositional challenge is set before the group’s members, who then have just over four days to upload a track in response to the assignment. https://disquiet.com The assignment for Disquiet Junto 0449 was…
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Time to announce the record of the year
Geneva Skeen’s new record is aptly titled Double Bind. Not only the last track on the record with the same title is really a double bind, but double bind is the concept behind the whole album. It is an ambient album, but you will not be able to lean back and enjoy the beautiful sonic…
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Alban Berg’s invention of the drone
(and my drone piece The Trumpet, Casting a Wondrous Sound in Tombs) Scene 2 of act 3 of Alban Berg’s Wozzeck is an Invention on a note (B♮). It is the scene in which Wozzeck kills his girlfriend and mother of their child Marie. B♮ symbolized death for Alban Berg, who despite of the fact…
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Music and words, words and music (Liner notes for Sweetness Falls in the Dark)
Beyond words. What we cannot speak about, because we have no language for it, we still can express in music. Music is the language beyond language. No. I don’t believe in the supremacy of music. We cannot tell in music what we cannot tell in language. There is nothing to tell beyond language. Why should…
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