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Listening beyond Watching: a Sound Walk through MUMOK’s Terminal Piece Exhibition

“Terminal Piece” is the title of an exhibition in 5 acts at the MUMOK in Vienna and also the title of the central work of this exhibition, an installation by Kate Millett from 1972. According to the catalogue the exhibition “foregrounds the act of viewing itself-asking not only what is seen but from where and…
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Exploring Sine Waves and Trombones: A Virtual Music Experience

SINE WAVES AND TROMBONES is a composition for sine wave oscillators and two virtual trombones. These instruments are placed at different positions in a virtual room: The piece was performed by myself in Ableton. The virtual room was created with IRCAM’s spatialization tool Spat. I recommend to listen with headphones to get the best experience…
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Revisiting the third ear: Solo for Maryanne Amacher

In my durational music I am working extensively with psychoacoustic phenomena commonly known as ‘combination tones’ or ‘difference tones’. Maryanne Amacher initially termed these phenomena ‘ear tones’ and later began referring to them by the psychoacoustical terminology of ‘otoacoustic emissions’. She thought that when to two pure tones are presented simultaneously to the ear, the ears will act as…
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Gentle Resistance: Music That Defies Conformity

“Gentle Resistance” is a mix of music that is incredibly gentle, yet uncompromisingly defies any form of conformity. Music by Whitney Johnson & Lia Kohl & Macie Stewart, Rayan Haïdar, Celer, Birds Of Passage & Jolanda Moletta, Dalot & Sound Awakener, Slow Blink, Patrick Shiroishi, Benoît Pioulard & Clarice Jensen, and Ausgesuchtestenohren.
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Exploring the bird mythology of Danielle Baquet

O, You Birds is a concept album that delves deep into the mythological world of birds by Danielle Baquet. It is therefore, even if field recordings of birds appear in some places, not an album that aims to capture the voices of real birds or their direct imitation. Rather, it is about the mythology of birds…
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Exploring Maryanne Amacher’s Sound Art

I’ve been revisiting the sound art of Maryanne Amacher lately and have been fascinated again by her exploration of listening and the relations between sounds. She gave a talk about her discovery of the second and the third ear a Ars Electronica in Linz (Austria) in 1989: I composed a tribute piece: Solo for Maryanne…
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The Clarice Lispector Project

Clarice Lispector was born in 1920 to a Jewish family in western Ukraine. As a result of the anti-Semitic violence they endured, the family fled to Brazil in 1922, and Clarice Lispector grew up in Recife. Following the death of her mother when Clarice was nine, she moved to Rio de Janeiro with her father…
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Exercises in Minimalism revisited

The present work originates from an intimate engagement with a personal sound archive. In 2017, I recorded the interior resonance of an upright piano that had accompanied my childhood — an instrument now lost, along with the family home in which it stood. These recordings, focusing on the raw timbral qualities of the strings, became…
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Fo(u)r Cellos (A homage to Tony Conrad)

Fo(u)r Cellos (A homage to Tony Conrad) explores how sounds that are usually considered disruptive or incidental can be transformed into music. Rather than separating noise and music, the piece asks the listener to hear both as part of the same spectrum, where order and structure can emerge from what first seems chaotic. The work…
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Tales of Audrey (new release)

Audrey is a queer persona emerging from an ongoing experimental musical project. She is not a fixed character, but a performative construct—unruly, unstable, and deliberately unresolved. Through fragmented narratives, sonic dissonance, and affective instability, Audrey challenges the demand for coherence. Her queerness is not symbolic—it is structural. Moments of failure, distortion, or silence are not…
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A Duck in a Tree 2025-07-05 | Arc Piercing
Great show with an excerpt of my piece Scream Evolution, which I originally made for Disquiet Junto.
